half speed mastered 180 gram vinyl + free album download code.
caribou aka dan snaith aka daphni forms a mixture of digital pop production, hip hop inspired beats, muted house basslines and a love of shuffling garage.

max d aka maxmillion dunbar with 4 supreme cuts of genre-bending ambient/house for trilogy tapes.

we are thrilled to release the debut ep by the mysterious and mystifying glasgow-based dub-pop duo laps (ladies as pimps). lady two collars (golden teacher) and sue zuki (organs of love) wowed us with their exciting mix of vocals, acid, dub and hip hop. using out-there dub recording techniques and instrumentation fused with a tasty pop sensibility, they make an original and experimental blend of underground dance memes. there is an incredible breadth of sounds over the seven-track record, making it an excellent choice for any dancefloor. the ep also features guest collaborations with some of glasgow s best musicians, including golden teacher, sinead young, duncan young, and an excellent remix by green door studio.

mit seinem club-erprobten elektro-pop mit akustischen folk-rock einflüssen erobert jan blomqvist die bühnen von clubs und festivals weltweit!

two scoops. a new collaboration from the people behind the scenes at retrofit, serve up 4 rough and ready house cuts that have been rocking dance floors across the world in jay shepheards dj sets for the past few months.

in what may be his best work to date, gui strings together various strands of pop-infused techno and house.

for most people, seth troxler is a name associated with detroit-leaning house and techno. yet this only scratches the surface of troxler s musical outlook, hence the formation of soft touch records, an imprint focused on peeling back the layers of the exotic and the strange, where interstellar guitar, calypso disco and seductive techno tracks can come together in unison and feel totally at home. on the labels first 10- release, long time friend and guy gerber collaborator, clarian, collects three tracks for soft001, a kaleidoscopic journey through 6am electronics, afro-beat indie pop and sixties west coast heartbreak. it s a bold opening statement for a label prepared to break the mould, get you on the floor with a whispered promise through the dry ice.

marking the start of an exciting new collaborative project, wolf + lamb proudly share the debut release of the waves & us. formed out of a creative meeting of minds between maayan nidam, markus nikolaus and louis mcguire, theirs is a sound that strengthens the storied approach of a live band with the experimental thrust of analogue electronics. pop and rock fundamentals lend an earthly hook to the tracks, but these are anything but straight-forward songs. maayan has already forged a formidable career in electronic music, both under her own name and as part of mara trax, scoring releases on such celebrated labels as perlon. markus performs his own solo project cunt cunt chanel, while louis is part of ballet school, a band releasing on noted indie label bella union. the whirlwind of creativity that has whipped up around the trio has yielded an album which will follow this single, made up of one-take recordings that capture the energy and adventure that powers the waves & us. maayan s electronics provide the atmospheric backdrop to the songs, running modular synthesisers and drum machines through detailed chains of processing and effects with an emphasis on a warm, charmingly rough finish. markus guitar undergoes a similar fuzzy treatment while his voice calls out introspective, abstract lyrics to set the mind racing. louis bass underpins the music with a dubby sensibility, bringing a necessary balance to the frequency range. making the most of their in-the-room recording approach, the singles will feature alternative takes of the songs that will appear on the album, providing a little insight into the flutters and fluctuations that shape the development of this project. with their eyes fixed on live performances and an arresting sound already formed, this is a vital time for all three artists and the people that listen to them.

nach zwei jahren im studio veröffentlicht der münchener justin faust endlich sein erstes album auf dem portugiesischen discotexas label! das album zeigt die gesamte bandbreite seine könnens, von clubfreundlichen klassikern wie girl talk über nu disco und pop ausflüge bis zu langsamen nummern, ist das abum wie eine sommerbrise voll guter stimmung. für na sowas konnte er sogar den legendären gitarristen mts björklund gewinnen, der viele aufnahmen unter anderem mit boney m. und giorgio moroder tätigte. das album enthält auch seine hit-single space rhumba sowie eine neue version seines klassikers high hopes und des titeltracks seiner ersten discotexas ep holdin on names slowin down. der titeltrack spellbound ist die erste singleauskopplung und weist mit einem pumpendem mix aus nu disco und house den weg auf die tanzfläche.

friebe, der klügste und schönste deutsche pop-hedonist geht zurück zu seinen wurzeln, punk, wave und chansons - und zieht aus ihnen blühende wundergewächse, wie das episch- euphorische titelstück mit scott-walker-würdigen streichersätzen. auch live wird in friebischer manier wieder ein feuerwerk aus wortwitz und schlechter laune geboten, musikalisch untermalt von chris imler die coole sau, der der show als drum- und sampler-wizzard, sowie vorzeige-dandy glanz und fahrt verleiht. kommt, staunt und jault.
die vinyl-lp erscheint inklusive cd-version des albums.

balearic maestro max essa joins the dots seamlessly between the ambient imaginings of sakamoto, the krautrock rhythms of neu and the beach pop of chris rea, while making them all dance together like waves on the beach. this is some of his very best work to date and demonstrates a producer at home at the controls and a real musician with a vision. your carnival sounds like this…

on this new 12 inch, we present 3 big names of the digging scene: tokyo matt from the otaku soundsystem originally based in hong-honk, and mori ra & asn from tokyo oyama edit, well know for their releases on curt jackson rotating soulss label. the 4 edits they are presenting are just out of this world. all very atmospherics, they are the ideal combination of space disco, balearic rock, jazz, pop and fusion. another ep to take very seriously.

die doppel-lp erscheint als limitierte 180g pressung mit 19 von 20 ausgespielten tracks, audiophil auf halber geschwindigkeit gemastered, inkl. bonus-download-code mit allen tracks (einmal komplett ausgespielt, einmal als mixset) in wav/mp3-formaten, inkl. 30x30cm kunstdruck, im gatefold mit antistatischen innentaschen.

third in the fire department series, this 12 inch vinyl compilation pulls together an awesome selection of smoking old skool disco funk - guaranteed party-starters every one. red hot - dont miss!

fractured holy symmetry is a gorgeous remix album full of re-worked tracks from a film, including remixes from soft metals, bestial mouths, diane halls, and more plus 6 new tracks. often described as dream-pop or indietronica the music of jesse ruins is soft, subtle and ethereal. from the electro-pop of soft metals remix to the wall-of-noisy sound of bestial mouths version, those re-works bring new life and breath to the tracks. limited edition of 300 copies on white vinyl, download code included.

endlich ist es hier, das neues album >in return<! durchzogen vom pop ist es ein elektronisches wunderwerk, voller mitreißender hooks. die vocals kommen von zyra, py und den shy girls sowie madelyn grant auf sun models. odesza werden mit dem neuen album den gesamten herbst auf tour gehen. sie werden eine reihe von ausverkaufen shows in den usa und europa spielen. in return ist ein album, mit dem odesza an die spitze der elektronischen musik aufsteigen wird. das doppel-vinyl erscheint inklusive download-code.

we dont really know if the young bryan kessler listened to kraftwerk, but then again we didnt ask - who cares, anyway? what’s certain, however, is that this punk renegade, songwriting wunderkind and all-around exceptional producer is a man of many faces, and all of them rock. discovered on stage while spouting anarchist pop slogans and showcasing an impressive underage mohawk haircut, he never was to be a bottled genius sticking to only one gun - and soon set out to become the lead singer and guitarist for neo punk nutters the pollywogs, while embarking on an equally public career as prolific dj and dance music producer

remember adam ports last contribution to the keinemusik-discography? its been the absorption of a pop-tune by an almighty techno-roller. compared to that, it seems, port has equipped himself with velvet gloves to shape this km024

nemesis e.p. is the latest 12 release by painbringer. featuring 4 oldschool 909 hardcore techno tracks with pure energetic gabber riffs, acid and breakbeats. no pop style, this is straight-in-your-face underground music!

trickreich und zartfühlend zugleich, klingt es wesentlich endorphin-geschwängerter als die bis jetzt veröffentlichten singles. das mag zunächst verwirrend sein, aber die Überraschung gelingt. die reise, die dark sky zurück gelegt haben, muss von extremem musikkonsum begleitet gewesen sein. das album evoziert bilder eines erwachsenwerdens durch sound. vor allem eine musikalische dekade hat dark sky beeinflusst, die 90er und all die vielen musikrichtungen, die damals wiederentdeckt worden sind finden sich auch auf imagin wieder. funk, bossa nova, eine ganze menge triphop, aber auch post-rock, ambient, balearic-house und 80ies pop alles geschüttelt und gerührt und in einem post-dubstep cocktailglas serviert. eiskalt selbstverständlich

take me away exemplifies the boys cinema-scope, widescreen sound and ambition. a tight, in the pocket bass line takes root over skittering, celestial synths and only girls sublime vocal line. this could be a phuture-phunky quincy jones track, utterly infectious. in perfect tonal-tandem with this is the uplifting, techy-pop of u know.

neues ninja tune signing! hinter evy jane stecken evelyn jane mason und jeremiah klein die beide ihre gemeinsame liebe für bass musik, pop und r&b teilen. das aus vancouver, kanada operierende duo veröffentlichte bereits 2012 eine ep auf king deluxe und räumten bei tastemakern wie pitchfork und fact ordentlich ab. fact beschreibt ihre songs als *frozen pop futurism*, pitchfork hingegen kürte die single direkt als best new track. mit der *closer ep* gibt es vier brandneue tracks zwischen minimal pop und future r&b. fans von the weeknd oder clams casino dürfen sich jetzt schon freuen. das geniale cover artwork kommt übrigens von leif podhajsky!

second album from british electro/synth-pop act la roux aka elly jackson.

pop music rarely comes as honest and heartfelt as when delivered by molly nilsson. ltd to 500 8 track ep. having traveled around the world singing to the romantic and the doomed, nilsson found herself in the late summer of 2014 in buenos aires. inspired by the crumbling andscape and the heavy hearts that populate it, sólo paraíso is not only an ode to a specific time and space but a musical novella that meditates on youth, idealism and belonging. the soundtrack to a summer you thought you had when looking over bleached out old photo albums.

here comes the sun (1971) is an album by jazz singer-pianist nina simone, consisting of cover versions of songs by pop and rock musicians. it features songs recorded in the rca studios with a full orchestra and backing vocals. although simone covers songs by bob dylan and the beatles, among others, most of the versions feature arrangements substantially different from the original recordings. this is most clearly in the final song *my way*, which with its fast pacing rhythm deviates significantly from the usual interpretations. pressing on audiophile 180 gram vinyl.

slidebar says goodbye and thanks to all people who have supported the label during 5 years.the final release is from a unique artist who is well known for his special live act performance. its non other than the amazing anklepants.4 tracks which shows the variety of his style.

haptic ep is the first release from glasgow and new zealand based duo modifier. the downbeat, glacial pop record sits comfortably between the likes of apparat and boards of canada and is the first in a series of releases for high sheen.

having previously impressed with vivid blends of cosmic r&b, skewed space-pop, glistening post-ambient soundscapes and mangled, synth-laden grime, rising star throwing shade (aka producer nabihan iqbal) demonstrates her dancefloor side with a killer 12- on happy skull. -chancer- and -blanx- both retain iqbal s uniquely intergalactic aesthetic,whilst flitting between jacking, chicago-influenced house rhythms and jazzy, off-kilter dancefloor grooves. synths sparkle, while vocal snippets drift in and out of the mix. the 12- is completed by a riotous, predictably heavyweight remix from kowton, whose guttural techno grooves are peppered with cut-up samples of iqbal s distinctive, dreamy vocals.

limited repress of this huge classic album!

in the six years since the release of their last full-length record, naomi shelton & the gospel queens have toured extensively, playing main stages at some of the most prestigious festivals in the world, including bonnaroo, the monterey jazz festival, montreal pop, and the ottawa blues festival. though seasoned veterans, these years of touring played a major role in the creation of the twelve songs that we are so delighted to offer to you, our beloved daptone family. presenting: cold world. the vinyl lp comes with download code included.

ultra limited (300 copies) new tevo howard release. 4 remixesof movereleased on rush hour label...

a few trips in tel aviv made ivan smagghe aware of the extensive and more importantly, quasi forgotten, wave and pop scene from israel. blown away some of the tracks passed on to him, he and the ginger prince thought it would be a good start for the lddlm reissues series, edits and originals.

hot new release from sunkissed recordings celebrating italian synth pop hero mike francis aka francesco puccioni. back in the 80s, francis elegant electronic style and smooth rich vocals provided a perfect backdrop to nights dancing on the sand and in clubs throughout the mediterranean and his popularity continues today amongst the balearic cognoscenti. this ep features the fantastic in-demand club mix of *features of love*, a funky pop-soul opus washed with lush synths, lazy guitars and dreamy vocals plus the sought-after long 12 inch cut of *survivor*, a gorgeous slice of blue-eyed soul with a strong dancefloor sensibility. flip over for big cosmic play, the magnificent 12 inch version of *body thrill*, a bass-heavy chunky instrumental with an art of noise feel followed by francis beautiful laid-back cover of the bill withers classic *lovely day* and lastly the heavenly hypnotic *on and on*, a little-known gem from the b-side from a rare 12 inch. a great package!

2x180gr vinyl unmixed. majestic casual represents new electronic music chill-out, experimental, garage, house, pop, hip-hop, indie & many more. the majestic casual youtube channel now serves 1.7m subscribers and has amassed 366 million views to date

erste ep des norwegischen duos soft as snow auf dem fabric-sublabel houndstooth, auf der sie mit experimentalem pop zwischen minimal-wave und der frühen warp-phase überzeugen. analoge maschinen treffen auf eigenartige vocals und stark verfremdete gitarren.

medical records presents two of the most striking and iconic reissues in its catalog. the lp though 2 years after since the accident continues to carry the torch illustrating the evolving transition between experimental structure and loops into the catchy pop hooks that would later define such releases as rotund for success. this lp seems to move slightly into darker territory in general with its synth textures and slower tempo tracks but overall has a nice continuation feel from since the accident yet with obvious technological evolutions.

its safe to say that without vito & druzzi, we wouldn’t be here today. indeed, along with the other members of the rapture (ever heard of them?) and james friedman, they founded throne of blood. our histories go hand in hand. after releasing classic albums on labels like sub pop, dfa, vertigo, and motown- and spending more than a decade touring the world with lcd soundystem, soulwax, the cure, interpol, and franz ferdinand to name a few- vito & druzzi have spent the last few years shifting their focus towards djing and production, building a studio in brooklyn and churning out the jams. its been a labor a love and were very happy to present you with the first fruits of their collaboration

die britische psychedelic-rock/pop band the moons meldet sich mit ihrer neuen single vom *mindwaves* album zurück. die b-seite enthät die buzzcocks coverversion *everybody s happy nowadays*.

presented on high-quality 180gram heavyweight black and white vinyl. features bonus lp insert compiled by tom ellard with ephemera from the time. limited edition. medical records presents two of the most striking and iconic reissues in its catalog. severed heads are one of the most diverse and expert soundpalette engineers and are also repeatedly overlooked and far underrated. hailing from sydney, australia, they formed in 1979. the lp exemplifies the transition point between experimental structure and loops into the catchy pop hooks that would later define such releases as rotund for success. difficult to classify, it is a masterpiece of electronic music

for their latest outing, a choice selection of rock, balearic and pop-reggae-disco goes under the razor for some precise trimming and extensions. beard science veterans hardway bros. & 45 badger are joined by glasgows scratchandsniff, and tokyo matt from hong kongs otaku soundsystem.

as part of bini & martini, paolo was without doubt one of the most prolific house producers at the turn of the century, touring the globe and lending their remix talents to major dance labels like defected,strictly rhythm, am:pm, emi, universal, sony and many of the worlds biggest pop acts such jamiroquai, kylie minogue, terence trent d arby, murk,armand van helden and many many more. in 2009 paolo teamed up with paul c and the pair have worked tirelessly in the studio and their music has been supported by many of the industrys biggest names.

a collection of 15 tracks from the prodigy on silver coloured double 12 inch vinyl, including download code.

three modern cuts created from a new swedish duo, mount liberation unlimited. the duo have a long heritage in the swedish indie-pop scene but have now taken it further. with a lot of inspiration from techno and house have the appearence become something between indiepop and house, with a great body of analogue expression. junk yard connections is super happy to give out this lovely debut ep!

losers can win is the first ep from electro-pop superband starwalker, comprised of frenchman jean-benoit dunckel (air) and icelandic composer bardi johannsson (bang gang). starwalker is a brand new collaboration between two electro-pop icons: jean-benoit dunckel (air) and icelandic composer bardi johannsson (bang gang, lady & bird). the title starwalker - suitably spatial and curious - is an umbrella term for the duo s new works together. included in this blossoming canon is the debut ep including singles bad weather and losers can win , a celestial song featuring the vocals of keren ann

i see sunrise ep comprises 3 blazing versions with vocals by bryan chambers who has been storming the pop and club charts for the best part of a decade making smash hits with well respected artists. let s bring light to the summer season of 2014!

a special dj double pack from emotional rescue brings together a collection of razormaid remixes, plus unreleased originals, of two projects from georg kajanus, the founder of 70s pop group, sailor and 80s synth poppers, data. with a career spanning late 60s psychedelic folk-rock in eclection, through to chart success as a member of 70s pop group, sailor, before embracing the synthesised sound of early 80s new wave and synth pop via the excellent data, georg kajunas music has covered a lot of ground.

repress 2023 , mexico: a hugely satisfying follow-up to past exploits and another step into the future of anthemic pop music.

in 1988 krs one made the poignant declaration of never trusting a big butt and a smile on boogie down productions song *jimmy*. truer words have never been spoken. fast forward 2 years later, bell biv devoe are smashing the charts (urban to pop) with their debut single *poison*, and in taking krss words of wisdom the exact phrase - never trusting a big butt and a smile has a major part of the chorus. the world over was singing it.

bryan jones & hugh cleal unleash their new label with a peak time deep track, a bit funk remix with a huge bassline & new elements that take the track to a new level, + 2 super dirty ghetto tech inspired tracks that stretch their range. pic sleeve.